In The Land of Free, we still keep on Rockin'

Plain and Fancy

"I hope for nothing, I fear nothing, I am free"

Thursday, March 23, 2017

Tim Hardin - The Millennium Collection (1966-68 us, outstanding folk psych, 2002 issue)

Hardin's best-known compositions -- "If I Were a Carpenter," "Reason to Believe," and "Lady Came From Baltimore" -- are all included. Hardin recorded for Verve Records, now part of the Universal catalog, in the 1960s, and seven tracks are drawn from his debut album, Tim Hardin/1, plus four from Tim Hardin/2 and one from the concert album Tim Hardin/3. 

There is nothing at all from Tim Hardin/4, an album of cover material, or from Hardin's later albums on Columbia and Antilles. The economics of song publishing probably limit albums in the series to 12 tracks, and in this case, since Hardin's recordings tend to be brief, that results in a running time of less than half an hour, which is skimpy for a CD, even a lower-priced one. But the collection presents the popular highlights of Hardin's career as a songwriter and gives a sense of him as a performer. 
by William Ruhlmann

1. Don't Make Promises - 2:27
2. Green Rocky Road - 2:19
3. Reason To Believe - 2:00
4. Smugglin' Man - 1:58
5. Misty Roses - 2:00
6. How Can We Hang On To A Dream - 2:04
7. It'll Never Happen Again - 2:37
8. If I Were A Carpenter - 2:44
9. Red Balloon - 2:36
10.Black Sheep Boy - 1:56
11.Lady Came From Baltimore - 1:51
12.You Upset The Grace Of Living When You Lie (Live) - 4:18
Words and Music by Tim Hardin

*Tim Hardin - Vocals, Guitar, Keyboards
*Gary Burton - Vibraphone
*Bob Bushnell - Bass
*Earl Palmer - Drums
*Buddy Salzman - Drums
*Jon Wilcox - Drums
*John Sebastian - Harmonica
*Phil Kraus - Background Vocals
*Walter Yost - Bass
*Artie Butler - String Arrangements
*Eddie Gómez - Bass
*Warren Bernhardt - Piano, Clavinet
*Daniel Hankin - Guitar
*Mike Mainieri - Vibraphone
*Donald McDonald - Drums

1969-70  Tim Hardin - Suite For Susan Moore / Bird On The Wire
1972  Tim Hardin - Painted Head (2007 japan remaster)

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Monday, March 20, 2017

Fusion Farm - Rush Job (1971-74 uk, astonishing rough 'n' roll, 2016 release)

We have heard about Fusion Farm for the first time from a well-known French collector who sent us the music. It took many years to locate the band and by coincidence the daughter of one of the band members found us via social media. So we could set up a deal. The album was originally released very limited on the S.R.T label (Grannie) with a hand-sprayed cover (very much like the original Tony Caro & John). Originals are very very rare and fetching high prices on the collectors market. This reissue also includes the tracks from the rare single "Fat Judy/Gypsy Mountain Woman".

They got radio plays and played a lot of shows in London and the surrounding cities before heading off to Europe and gigging constantly - Germany became a second home, in particular Frankfurt and Munich and they found favor playing at many US Army air bases.

They also played the 15000 capacity Frankfurt Festhalle supporting Bad Company and Black Oak Arkansas, who never showed up and a riot ensued and the venue was trashed! The band changed personnel several times but the core of the band and song writing team of Bob Bett and Normal Ley remained constant. The band split in 1979 to pursue other projects.

Great Psych tracks with snotty "Stooges" like songs, great guitars, drums, cool vocals and bass, some tracks are dreamy and some are very powerful British Underground tunes.

1. Loona Doona (Robert Bett, Nigel Hall) - 2:33
2. Mrs Speed (Robert Bett, Nigel Hall) - 3:27
3. Thursday 6th January (Norman Ley) - 2:58
4. Mean Moody Mable (Robert Bett, Nigel Hall) - 4:20
5. Fat Judy (Robert Bett, Norman Ley) - 3:08
6. Winter Sun (Robert Bett, Nigel Hall) - 3:51
7. Brick Shapes In The Sky (Robert Bett, Nigel Hall) - 4:07
8. Hollis Brown (Bob Dylan) - 7:28
9. Gypsy Mountain Woman (Robert Bett, Norman Ley) - 2:53

The Fusion Farm
*Norman Ley - Guitar, Vocals
*Robert Bett - Vocals
*Mick Hurst - Drums, Vocals
*Graham Thatcher - Bass
*Nigel Hall - Guitar, Vocals
*Alan Davies - Guitar, Vocals
*Dick Gardner - Drums

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Sunday, March 19, 2017

Wayne Kramer And The Pink Fairies - Cocaine Blues (1974-78 us / uk, tough edged street rock, 2016 edition)

This album features elements of two of the greatest revolutionary rock bands of all time. Wayne Kramer came to prominence as a teenager in 1967 as a co-founder of the Detroit rock group MC5 (Motor City 5), a group known for their powerful live performances and radical left-wing political stance. The MC5 broke up amid personality conflicts, drug abuse, and personal problems, which, for Kramer, led to several fallow years, as he battled drug addiction before returning to an active recording and performing schedule in the 1990s.

The Pink Fairies - on the other hand - are an English rock band initially active in the London (Ladbroke Grove) underground and psychedelic scene of the early 1970s. They promoted free music, drug taking and anarchy and often performed impromptu gigs and other agitprop stunts, such as playing for free outside the gates at the Bath and Isle of Wight pop festivals in 1970, as well as appearing at Phun City, the first Glastonbury and many other free festivals including Windsor and Trentishoe.

The first four songs were recorded live at Dingwall's in London in 1978, with Kramer, only recently out of jail, fronting the Pink Fairies. In imperfect but listenable fidelity, Kramer runs through Mose Allison's "If You're Going to the City," Bob Seger's "Heavy Music" (into which he wittily inserts a bit from James Brown's "There Was a Time," adapting the lyrics to refer to Detroit), the nine-minute "Cocaine Blues" (an interesting, autobiographical, mostly spoken account of the events leading to his mid-'70s prison term), and "Kick Out the Jams." 

Next are four run-of-the-mill hard rock studio tracks, also done in London in 1978, including covers of "Do You Love Me" and Jimmy Cliff's "The Harder They Come," along with a couple of originals (one co-written with Mick Farren). Paul Carrack, presumably that Paul Carrack from Squeeze/Ace/Mike & the Mechanics/Roxy Music, is on piano. Finishing the disc off are two 1974 studio cuts, done in Detroit: "Get Some" is another Farren/Kramer collaboration (with lumpy, boxy bottom-end sound), and "Ramblin' Rose" was of course first done by Kramer with the MC5. 
by Richie Unterberger

1. If You're Goin' To The City (Mose Allison) - 3:13
2. Heavy Music (Bob Seger) - 5:47
3. Cocaine Blues (Traditional) - 9:33
4. Kick Out The Jams (Michael Davis, Wayne Kramer, Fred "Sonic" Smith, Dennis Thompson, Rob Tyner) - 6:02
5. Do You Love Me (Berry Gordy, Jr) - 3:26
6. East Side Girl (Wayne Kramer) - 4:17
7. The Harder They Come (Jimmy Cliff) - 3:09
8. Too Late (Mick Farren, Wayne Kramer) - 3:24
9. Get Some (Mick Farren, Wayne Kramer) - 3:38
10.Ramblin' Rose (Fred Burch, Marijohn Wilkin) - 4:06

*Wayne Kramer - Vocals, Guitar
*Larry Wallis - Guitar
*Andy Colquhoun - Bass
*Dr. George Butler - Drums
*Paul Carrack - Piano, Vocals
*Melvin Davis - Drums
*Tim Shafe - Bass
*Alan Spenner - Bass

Related Acts
1969  MC5 - Kick Out The Jams (Japan SHM)
1970  MC5 - Back In The USA (Japan SHM)
1971  MC5 - High Time (2013 Japan SHM)
1971  Pink Fairies - Never Never Land (2002 extra tracks issue)

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Wednesday, March 15, 2017

Marc Brierley - Welcome To The Citadel (1966-69 uk, superb folk rock, 2014 remaster and expanded)

Life is lived in phases and periods. This CD package contains approximately three of the phases of my period as a recording and performing singer /songwriter, which spanned from 1965 to 1973... 

By the autumn of 1965, I had the beginnings of some personal songs which Austin John Marshall, music producer, film maker, graphic artist and husband of folk legend, Shirley Collins, felt were worth putting in front of Nat Joseph, the founder of Transatlantic Records and the guiding force of many aspects of the early 1960s British Folk/Blues revival.

Nat thought I had talent worth developing, and after two or three months of weekly live auditions of new material at his office, he suggested we record an initial F.P. Time For Love', 'Dragonfly', 'Arctic City', 'Rel's Song' and 'If You Leave Me Now' are the five tracks that resulted from that recording, which was carried out in a single live solo session in a large, bare room - not a studio - somewhere near Oxford Street, London, in June 1966.

Within months of completing this, however, my ears were ringing afresh with a whole raft of sounds from West Coast USA, brought to me by my friend Robin Lent. Lovin' Spoonful, Jefferson Airplane, Mamas and Papas, Grateful Dead, Mothers Of Invention, to name the essentials, had the effect of reorienting all aspects of my psyche, from more than the mere musical perspective.

Welcome To The Citadel was written, then, at a time when Flower Power, paisley patterns in the sky, golden haired girls tripping through sunlit cornfields, was the standard state of every day wakefulnes — or so it seemed. There was also a strong undercurrent of spiritual awakening in the air, which became muddled with drug culture, mythology and - yes — the works of J.R.R. Tolkien.

Thus, we have 'The Answer Is', a Zen/transcendental/Sufi sort of expression; 'Matchbox Men', a directly Tolkien-inspired fiction; 'Sunlight Sleepers* Song', Shakespeare's Puck, Peas Blossom "whispering soft, is love her name?" in the summer night's dream, or Ariel among the sights and sounds of the Tempest's enchanted isle.

And 'Welcome To The Citadel' itself, an epiphany of first experiences of altered consciousness. "Hand in hand we sat upon the docks to watch the tide come in..." - the embarkation on this first journey into the mind as flickering perceptions in the candlelight flood in and envelop us. Signals in silent assent — "communications tower" — speech as the means of thought transfer, no longer necessary.

Other  songs they were more self referral, in the way that Altman made movies about the movie industry. For , example, 'Autograph Of Time' is about the song writer and song writing under pressure {autograph of time = time signature), hence "the chorus well thought out, the line must alter...". I was constantly being pressurized to "write something more commercial". If only! "Even sacred pens must have to falter."

But even in the penury of writing and waiting through the winter of 1967/8, with a stream of failed promises about pending record deals or gigs, "Time itself is fun, you reply." And so we move on in time — skipping the beat where Hello, my second album recorded for CBS in 1969, should come  and picking up a couple of years later \n I had decamped to the fine City of Birmingham, home of some great musicians and bands, and some great friends. 'Don't Let The Bugs Bite' was demoed in London with my friend, multi-instrumentalist and vocalist, Billy Butler in a basement studio.

The remaining four songs on this set are part of a collection of previously unreleased material by Brierley Cross, written between 1970 and 1973 and / performed with my lifetime friend, maestro guitarist / Steve Cross. We rehearsed standing in front of our microphone "tree" in my living room, recording • into the Revox and playing it back at volume all throughout the long hot summer, with the windows  wide open onto the street below, until one day, the neighbours complained. These are the recordings, so if they seem a bit rough, blame the neighbours.
by Marc Brierley

The Transatlantic EP is the most dark and stripped-down of all the material on this collection, featuring just Marc Brierley's voice and an acoustic guitar. At times he sounds a bit like Jackson C. Frank, an artist with whom Brierley might very well have been familiar. Donovan's early recordings must have been a big influence as well. The EP is very much in the vein of the Transatlantic label's more well-known releases by the likes of Bert Jansch and includes Brierley's only instrumental guitar piece.

Two years after the release of his EP, Brierley's music had begun to drift in a pretty different direction. From the first song "The Answer Is," Welcome To The Citadel has a much lighter feeling. Brierley still sings and plays an acoustic guitar and is accompanied on the album by a full band, including a drummer and a bass player. Many of the songs are augmented by trumpet, violin or cello. The songs are a little more sophisticated and Brierley seems to have discovered his own voice as a writer and as a singer. His vocals have a lot more range, and on the reverby "Symphony" and the closing track "Thoughts And Sounds" he sounds a lot like Tim Buckley circa Goodbye And Hello. Lyrically, Brierley's penchant for absurdity becomes a bit more apparent on Welcome To The Citadel, with track titles like "Hold On, Hold On, The Garden Sure Looks Good Spread On The Floor." 
by Rob Hatch-Miller

1. The Answer Is - 2:23
2. Vagabond Of Sleep - 4:17
3. Matchbox Men - 3:25
4. Over The Hills - 2:05
5. Symphony - 2:51
6. Take Me For A Ride On Your Aeroplane - 2:04
7. Welcome To The Citadel - 4:34
8. Hold On, Hold On, The Garden Sure Looks Good Spread Out On The Floor - 3:38
9. Autograph Of Time - After All The Heat Was Hung - 1:35
10.Sunlight Sleepers Song - 1:26
11.Making Love - 1:22
12.Time Itself - 2:34
13.And Who Would But Think - 2:04
14.Thoughts And Sounds - 6:11
15.A Time For Love - 3:15
16.Dragonfly - 2:20
17.Arctic City - 1:45
18.Rel's Song - 4:20
19.If You Leave Me Now - 3:01
20.Stay A Little Longer Merry Ann - 2:49
21.Flaxen Hair - 2:58
22.Godspeed - 4:34
23.Phoenix - 3:16
24.Powers Of Glory - 5:14
25.Hear Me Calling - 2:21
26.Don't Let The Bugs Bite - 2:47
All Music and Lyrics by Marc Brierley except track #14 co-written with Terry Hiscock

*Marc Brierley - Acoustic Guitar, Vocals
*Clare Lowther - Cello
*Mike Travis - Drums, Percussion
*Tony Reeves - Electric Bass
*Henry Lowther - Trumpet, Violin

1969-70  Marc Brierley - Hello (2014 bonus tracks remaster)

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Sunday, March 12, 2017

Julie Felix - First, Second And Third-The Complete Three Decca LPs (1964-66 us, tremendous acoustic folk, 2008 double disc edition)

Although California-born, Julie Felix found herself in Britain smack dab in the middle of the folk revival in the mid-'60s, and with her serviceable voice and exotic good looks, she was soon a poster girl for the U.K. scene itself, releasing an album a year for Decca Records between 1964 and 1966, all three of which are collected here in this two-disc set. Felix wasn't Joan Baez or Judy Collins, however tempting it might be to make those comparisons, and her albums sound a bit like live sets tracked in the studio, with little embellishment, giving them at times a kind of a those-were-the-days documentary feel. Felix's faintly husky voice sounds fine but gets a bit generic, and the same could be said of her guitar playing, and she sounded pretty much like a thousand other female folk singers on the scene at the time trying their hand at "The Riddle Song."

But what Felix did have was a fine ear for recognizing a good contemporary folk song, and these three LPs are full of songs by the likes of Bob Dylan, Ian Tyson, Tom Paxton, Phil Ochs, Donovan, and Bert Jansch, among others, as well as several selections from the Woody Guthrie songbook. Nothing here really sets the world on fire, but Felix rises well above the ordinary on versions of Jansch's "Needle of Death," Tyson's "Someday Soon," and a jaunty take on Donovan's "To Try for the Sun," and she's never less than pleasant on more traditional fare like "The Maid of Constant Sorrow" or "The Riddle Song." In the end, though, she's more of a flashback to a particular time and place than she is an enduring folk icon, which doesn't diminish what's here, but it hardly makes it essential, unless, of course, you really want to hear "The Riddle Song" one more time. A timepiece. 
by Steve Leggett

Sequenced back to back across this double-disc set are the self-titled solo debut and the imaginatively-titled The Second Album and The Third Album, which first introduced and, then, consolidated Julie Felix as a permanent feature on the British folk scene from the mid-60s onwards.

Recorded with pared-down production while Felix essentially lived in exile in the UK, these three Decca albums mostly showcase her as an interpreter of originals by the likes of Bob Dylan, Woody Guthrie, Phil Ochs, Donovan, Leadbelly and Peggy Seeger. As such, they reflect the sprit, sentiments and aspirations of the Civil Rights movement transplanted to mid-60s Britain. Though The Third Album was little more than a collection of outtakes from the first two, compiled by producer Hugh Mendl, it did include her hit version of Tom Paxton’s Going To The Zoo, arguably still her most recognisable song.

Following her sojourn with Decca, Felix moved to Fontana and, later, to RAK with Mickie Most. It’s these three albums that remain her most essential recordings.
by Grahame Bent

Disc 1 Julie Felix 1964 
1. Masters Of War (Bob Dylan) - 3:10
2. The Old Maid's Song (Harry Robinson, Julie Felix) - 2:38
3. Hey Nelly Nelly (Jim Friedman, Sheldon Alan Silverstein) - 2:35
4. Cu-Cu-Ru-Cu (Harry Robinson, Julie Felix) - 3:19
5. Tarry Town (John Allison) - 2:38
6. Aunt Rhodie (Harry Robinson, Julie Felix) - 1:34
7. Pastures Of Plenty (Woody Guthrie) - 2:46
8. Tell Old Bill (Harry Robinson, Julie Felix) - 3:12
9. Ship In The Sky (Woody Guthrie) - 2:07
10.Buttermilk Hill (Ronnie Gilbert) - 2:46
11.Sally Don't You Grieve (Malvina Reynolds, Woody Guthrie) - 1:44
12.Don't Think Twice It's Alright (Bob Dylan) - 3:37
13.The Riddle Song (Harry Robinson, Julie Felix) - 1:43
14.Plane Crash At Los Gatos (Woody Guthrie) - 4:42
The Second Album 1965
15.Someday Soon (Ian Tyson) - 3:00
16.Needle Of Death (Bert Jansch) - 3:33
17.The Young Ones Move (Dave Mudge, John Remsbury) - 2:37
18.Guantanamera (José Martí, Pete Seeger) - 2:46
19.The Road Makers (Dave Evans) - 1:58
20.I've Got Nothing But Time (Tom Paxton) - 2:46
21.Days Of Decision (Phil Ochs) - 2:34

Disc 2 The Second Album 1965
1. A Rumbling In The Land (Bob Dylan) - 2:32
2. You Won I Lost (Ian Tyson) - 2:36
3. When The Ship Comes In (Bob Dylan) - 3:08
4. Port Mahon (Sydney Carter) - 2:56
5. Space Girl (Peggy Seeger) - 2:37
6. Judge Jeffries - 1:58
7. The Last Thing On My Mind (Tom Paxton) - 2:29
The Third Album 1966
8. To Try For The Sun (Donovan Leitch) - 3:06
9. John Reilly (Bob Gibson, Ricky Neff) - 3:18
10.The Fox And The Goose (Traditional) - 1:57
11.What Did You Learn In School Today? (Tom Paxton) - 1:39
12.The Maid Of Constant Sorrow - 2:42
13.The Gallows Pole (Alan Lomax, Huddie Ledbetter, John A. Lomax) - 2:00
14.My True Love - 3:09
15.One Man's Hands (Alex Comfort, Pete Seeger) - 1:55
16.Going To The Zoo (Tom Paxton) - 2:30
17.The Spring Hill Disaster (Ballad Of Spring Hill) (Ewan MacColl, Pete Seeger) - 3:00
18.Mound Of Your Grave (Woody Guthrie) - 2:08
19.Come On Billy Home - 1:45
20.I Travelled All Over This World (Julie Felix) - 2:30

*Julie Felix - Vocals, Guitar

1966  Julie Felix - Changes (Vinyl issue)
1967  Julie Felix - Flowers (Vinyl release)
1972  Julie Felix - Clotho's Web (2009 remaster and expanded)

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Thursday, March 9, 2017

Gene And Debbe - Playboy The Best Of Gene And Debbe (1967-68 us, attractive charming sunny country folk)

Gene Thomas and Debbe Neville were a fresh-scrubbed pop duo from Nashville, TN, who sounded something like a twangier Sonny & Cher, or as if Nancy Sinatra and Lee Hazlewood had been stripped of their eccentricities (particularly Hazlewood's tumescent ego). Gene & Debbe's sole Top 20 hit was "Playboy" in 1968, and this collection from Sundazed features that tune as well as 21 other sides from the short-lived duo. While these songs were obviously aimed for the pop charts, there's no avoiding the fact this stuff was recorded in Nashville (and released on TRX Records, an offshoot of the powerful Acuff-Rose publishing concern) -- the keening pedal steel on "Torch I Carry," the banjo on "Lovin' Season," and the cheatin' song ethos of "Rings of Gold" all point to the act's Music City heritage, and producer Don Gant (who later recorded with the Neon Philharmonic) was clearly shooting for lots of charm rather than a significant share of hipness (as if the presence of a Dean Martin cover wouldn't make that obvious).

Still, Thomas and Neville sang well together, and the former brought some good songs to the table, especially the Dylanesque "The Sun Won't Shine Again" and the heartfelt "I'll Come Running." Playboy: The Best of Gene & Debbie collects everything they released during their two-year lifespan along with four songs that have never been heard before, and frankly this is more Gene & Debbe than anyone but an obsessed fan would want to own. But if you want to hear Gene & Debbe, this is clearly the place to go, and the typically excellent remastering and packaging from Sundazed show this material more respect than they'd likely receive from anyone else. 
by Mark Deming

1. Don't Try To Change Me - 2:15
2. Give Me A Sweetheart (John D. Loudermilk) - 2:06
3. Playboy - 2:56
4. Rings Of Gold - 3:08
5. Go With Me - 2:25
6. Truly, Truly True (Mickey Newbury) - 2:07
7. Love Will Give Us Wings - 1:57
8. I'll Come Running - 2:24
9. Any Way You Want Me (Mickey Newbury) - 1:53
10.Let It Be Me (Gilbert Bécaud, Mann Curtis, Pierre Delanoë) - 2:04
11.Two Of A Kind (Bob Montgomery, Earl Sinks) - 2:13
12.Torch I Carry (Ray Doggett, Y. Parker Wong) - 2:14
13.Lovin' Season - 2:36
14.Make A Noise Like Love (Bobby Bond) - 2:13
15.Memories Are Made Of This (Frank Miller, Richard Dehr, Terry Gilkyson) - 2:44
16.The Sun Won't Shine Again - 2:18
17.Loan Some (Bobby Dyson, Larry Lee) - 2:45
18.I'm Only Human - 2:15
19.Just As Long As That Someone Is You (Mickey Newbury) - 2:27
20.Then You Can Tell Me Goodbye (John D. Loudermilk) - 2:27
21.What Did You Take Me For (Dewayne Blackwell, Rani Blackwell) - 2:44
22.Then I Cried - 2:56
All songs by Gene Thomas except where stated

*Debbe Neville - Vocals
*Gene Thomas - Vocals

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Monday, March 6, 2017

Steeplechase - Lady Bright (1970 us, excellent heavy groovy psych, 2006 reissue)

Us groovy heavy psych band, probably hailing from New York City, their music balances between Steppenwolf, Iron Butterfly and Rascals. Drummer Joe Forgione and organ player Tony Radicello were  members of the  Philadelphia-based R 'n' B group the Soul Survivors.

Singer and guitarist Dean Parrish was the most  succesful as a solo artist, best known for the song, "I'm on My Way", which became famous, he also worked as a session musician with Jimi Hendrix and Santana in 1970, and played guitar with Bob Marley in 1972.

1. Wrought Iron Man (Tony Radicello, Dean Parrish, Eddie Kramer, Bob Spinella) - 4:18
2. Shorty Stokes (Tony Radicello, Dean Parrish) - 3:49
3. Down On The Town (Tony Radicello, Dean Parrish) - 3:25
4. Talking Bout You (Tony Radicello, Dean Parrish) - 3:04
5. Lady Bright (Bob Spinella, Tony Radicello, Dean Parrish) - 4:12
6. In The Valley (Bob Spinella, Tony Radicello, Dean Parrish) - 2:37
7. Mary Clarke (Tony Radicello, Dean Parrish) - 4:20
8. Sea Shore (Tony Radicello, Bob Spinella, Dean Parrish) - 4:29
9. Never Coming Back (Tony Radicello, Dean Parrish) - 3:23
10.Cherry Blossom (Tony Radicello, Dean Parrish, Eddie Kramer) - 2:54

The Steeplechase
*Bob "Bobby" Spinella - Organ, Piano, Harpsichord, Electric Piano, Backing Vocals,
*Dean Parrish - Guitar, Vocals,
*Joey "Joe" Forgione - Percussion, Drums, Backing Vocals,
*Tony Radicello "Tony Alexander" - Organ, Bass, Vocals, Backing Vocals, 12-String Guitar
*Eddie Kramer - Piano, Vocals
*Kim King - Guitar
*Paul Fleischer - Horns

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